This current series, Transmissions/JKS, was conceived after my mother’s death.  Having inherited her bulging binder of handwritten recipes, I was struck by how her presence emanated from those stained pages.  Ruminating further about the near-obsolescence of handwriting in our digital age, I began photographing hers—zooming in on certain words, then zooming in further on specific glyphs.  Letters became lines which, in turn, became a sort of drawing—her mark-making, a residue of her touch.